finally here two new remixes of the great track originally performed by patty smith and wrote by bruce springsteen! these two remixes are produced by the well-known nello simioli & raf marchesini, the first version includes various fender guitar-gimmicks, the second one more basic!

as well as being the first track on the album jim, another day is released as the second single. jim bursts out of the box with a gospel flavour on his lips, testifyin hand claps a plenty and even some ambient birdsong to let you know that summers on its way. lidells got talent to spare, and he obviously knows his soul forbears work intimately. the 12inch includes two energetic mixes of another day from rustie and matthew herbert.

bombstrikes delivers the goods yet again! with the heavy hitting consistency the label is now renowned for, aussie wonder kid nick thayer makes a welcome return for the 12th release in the series. fresh from a string of hugely successful releases and remixes this aa sided ep showcases nicks dancefloor pedigree to the fullest. first up on the a side is the absolute banger get up. re engineering a well known hip hop riff with tough beats and analogue bass this has been leaving a trail of devastation each time it gets an airing, straight to the point and taking no prisoners, this track is huge! over on the flip thizz shake pushes forward the forward thinking and unique element of nicks sound. an electrofied disco beats work out of the highest order, it builds around the catchiest of hooks to create an ass shaking dancefloor monster.

a classic rock album!! including the well known big hits

another wicked hard techno slammer from the rework boys!! these germans sure know how to rock and they proof it every time. this time a pulsating beat transforms into an evil vocal anthem! andy lee, known from his releases onfrisbee tracks, i220 and his own label, register and also well known for his very long dj-sets especially in frankfurt at the u60311, but also in the rest of europe, is the new artist on byron bogues s label, eruptive records. 2 technoid trax with sophisticated arrangements and very good designed sounds, made for the peak time. byron bogues s remix is a percussive rocket. a very nice mixing-tool for all style of techno and house

hot on the heels of the bestselling second edition in the limited series, the ppf boys dropped off this outstanding third ep in the sample pleasures trilogy!!! as always, they expertly reference classic, though less well known underground gems from the last days of disco to early forays into proto house. heavily influenced by the fertile early 80s period, when european disco and boogie sounds took us in a more electronic direction, and the kind of boundary pushing, energetic, funked up soundtrack ron hardy laid down in the music box, the popular peoples front have established a formidable reputation for making stand out modern club cuts...

playdoe offer a novo hip hop, an hybridization between groovy and heavy basses and speedy electropop with a graduated lyrics flow. six tracks which confirm the vitality as well as the creativity of the south african stage which managed to digest with daring and freshness all the ingredients from electronic culture. house music, breakbeat, booty, hip hop and ghetto in mind, for a an energetic and addictive result. including a toxic avenger remix!! for fans of kitsune, ed banger...

new artists on bombay, chicagos j & j soultempo come with a strong gospel influenced late night slammer for the dance floor. featuring the vocals of the renowned terry moore combined with the soulful chicago acid house production of j & j soultempo, this release has an real early nineties murky deep house sound with modern production. jason ferguson jaycee and jere mcalllister are emerging from a strong community of the new generation of producers and musicians based in chicago that will be turning heads in the house scene. some kinda good agrees with the new york vibey heads as well as the chicago and detroit kids the tune defines house as going back to just one category and one community.

jephte guillaume, nyc based dj/producer, has garnered mass appeal from his dancefloor audiences. bringing the same grace and precision to handling the decks, as he does in the recording studio, he is well established for his rich sets where he mixes soulful dance and spiritual house grooves with traditional afro cuban, afro haitian and brazilian rhythms. known as the creator of vodou house for some of his well loved hits, he is firmly established as an international dj/producer/remixer. jephte scored a subtantial portion of the soundtrack and is being featured on the film documentary maestro...the most realistic and in depth motion picture ever made on dance culture.

after a long break jel fords legendary detroit influenced techno label returns with a series of new releases starting with this brand new deep smash from techno legend dave angel. the original itself is a superb warm tech house builder with incredible depth and feel. on the flip fresh from his recent success with his enormous drumcode releases ortin cam delivers a superb dancefloor monster retaining the depth and feeling of the original but adding an epic dancefloor feel. look out in the near future for a stream of new material from established and new artists as well as new artwork coming in the summer

hammered by: richie hawtin, paco osuna, konrad black , sebo k, davide squillace, 2000 and one, johnny d , agnes ,miss fitz, reboot, chris carrier,..rmxs by pier bucci & ali nasser!! nick curly hails from sunny germany where he runs the amazing cecille label and produces some of the most amazing music around at moment. his sound has been incredibly well received of late and is finding favour with the likes of mandy, clive henry, steve lawler and locodice. here we present nicks debut for audioflys imprint supernature. >on my way< is a slice of deep techy house that has been quietly turning heads since audiofly discovered it on myspace a few months back. remixes come form none other than pier bucci and huge emerging talent ali nasser from romania. both interpretations add their own slick flavours and are bound to be in djs wallets and traktors for months to come. >friday< meanwhile is one hell of a groover and will surely be favoured by those who like it deeeeeep! enjoy

new label founded by frankfurt based dj & producer robin jacobs. finest deep hypnotizing synth flavoured berlin anthem from nico grubert, well known from his releases on labels like definition, tonsportgruppe or whirlpoolsex. incl more driving mihalis safras(trapez) remix. support by mark broom, holgi star, two_em, dj emerson, micha klang, liberto

big with: onur Özer, gregor tresher, davide squillace, d julz, josh wink, laurent garnier, john selway, bart skills, santi xpansul,.. step into the alley, into the groove. into the urban breeze and family hospitality of easy street! without using too many sounds or rhythms in the main track >ad hoc<, van rivers creates a warm, full sound spectrum, with a variety of angles. as daytime turns into nighttime this urban story continues. >slow sails is basically a tool that keeps on building from start to end, with focus on a wave-sounding reverb<, van rivers explains. and as twilight enters, >dusty leaves< turns this street scene upside down with its walking rhythm and spooky sounds. we are the spectators of an act in the vein of michael jacksons >thriller< epic. this release with van rivers really shows the variety of his sound from beginning to end! a powerful record for the floor that plays as well at home too

big with: Âme, dixon, cassy, radio slave, gregor tresher, shinedoe, karotte. after the massiv feedback to their well received second release the white boys are back with another pair of marvelous tracks. white 003 delivers you all the ingredients for a long night in and out of the club. oskar offermann‘s >cherry bombs< is a sure floorfiller with a certain pop appeal. pumping straight forward minimal house with some tricky-trancy elements and a few breaks here and there to pleasure even the most sophisticated crowd. back from his journey through southern fields, edward presents us a beautiful piece of intelligent techno. >inverno< is a trip across one of those sticky summer nights, when you feel like the sweat is dripping on the inside. nervous drums and basslines will turn your mind and make your heart beat faster.

in good old manner of chicago-house-music glare tyree cooper and eric d. clark on site a with discreed harmonies to there familiar seemed voices. the unstoppable forward driving beat with the care sedate bassline underlined the feeling but also the simultaneous unchangeable purpose of the track - to put the listener in motion. the stuff will be advanced by the also announced mix from the label boss himself - stefan braatz - on site b. full cords and a chiselled beat added by a extra acid-line in well known braatz-style.

already supported by dj rush, bold and frank kvitta. after the very well recieved hells bells. record of the month in raveline magazine. its time for a new 12inch by miss djax. headbangin is a true hardtechno stomper at 153 bpm with a very catchy vocal sample. on the b side a remix by frank kvitta. headbangin is a peaktime record that will for sure burn the dancefloor.

aftermatch, tieums top imprint, proudly presents the official darkness 4 life release! darkness 4 life is hollands leading concept for industrial hardcore/darkcore/speedcore parties, managed by b2s events, one of the biggest organisations in holland, well known for decibel, project hardcore, hardcore 4 life and loads of more major events. this massive 12inch offers the official darkness 4 life anthem by tieum, and on top of this 3 more quality industrial tracks co produced by bryan fury! a superb production which will be huge in no time in hardcore land...

full support by angel molina, dub kult, mathias schaffhäuser, jeff bennet, xpansul, oscar, remute. after releases on the own label, now the first excursion to the well-observed european realms follows on karloff rekordings. analog beats, bleeps and white noise - in sunny california these popular ingredients of minimal techno get brewed together with surprising facility, to a fresh, jacking a-side track with a sturdily nodding groove. on top of that, >azizam< doesn’t lack a clearly distinguished climax - for the good of the dancefloor! on the b-side >off my mind< first appears organicly floating within a warm and fuzzy scent of detroit, before >backwards on pony< finally unwraps classic sawtooth sequencer techno, however properly purged und worked up percussively, to a seething cauldron that you simply have to like!

on side a ku bo presents his first collaboration with são paulo, brazil based mc fefe. on >turnerment< fefe rhymes in portugese about the crazy beat of ku bo and how it turns her on. the paulista mc, who also works as an acclaimed visual artist, has already collaborated with other bass music related artists such as al haca and is well immersed in the sound of future bass science. >turnerment< perfectly combines joey beltram basslines with an irresistible house groove, brazilian cuica sounds and a hands up in the air atmosphere

the 5 beats parisian head takin us to a fascinating one way trip straight to the epicenter of the lectromatrix on the vibrant synth led the journey opening this 2 tracker with the result guaranteed to blow your minds up. and he seems even goin further on the bouncing hades foreshadowin what might pretty well be considered as a piece of - call it whatever - garagey tech or techy garage...

new, fresh minimal label from belgium with an very interesting and complete sounding release from pkiss incl. a really well done remix from berlin minimal hero david keno

the perspectiv crew are proud to announce dachshund’s new release, with the geneva based producer delivering us two fantastic tech-house anthems. with previous releases on num, 60 sec and platzhirsch as well as collaborations with fellow swiss producers quenum and lee van dowski, this is his first perspectiv release. >perception< is a trip into a blown mind. a devastating edit powered by crunching percussion and pounding bassline, arabic synth melodies and samples of children playing give the production a mood that is both abstract and rejuvenational. >holiday now< is persuasive, percussive house. motored by deep staccato synth and a crackling beat, sirens float throughout the mix amidst a prodded bass hook

two well known classic tunes in a fresh p-series 2008 techno style

played by hell, ricardo villalobos, richie hawtin, oliver huntemann!! and on it goes with afu limited and a new signing from russia : andrey zots ! this record is extremely dangerous and will definitely do its damage whatsorever ! what andrey zots unleashes here (had releases on enable, capsula, globox and is part of the project bip soup) could be the next big track for this summer, the islands and the clubs !!! the deep and relaxed voice of i am has a rendezvous with this fat beat and the karzy and crunchy sounds do their damage as well ! the freaky track zoids rounds it up and is a great compliment to the title track ! this record is dangerous and rocks big time !!!

kenny dope gonzales (masters at work) and full intention remixes to this well known world cup anthem

hip shaking funky house/funky breaks hybrid!! includes well known daft punk sample!! not to be missed!!!

great sample use here. remember tina coussins killing time well guess what. remixes by abel ramos & raul ramos, nicolas ojeto and angel sanchez

huge support by laurent garnier, martin eyerer, fergie, monoroom, jeff bennett, da funk, john digweed and more. tom pooks is well known for releases on labels like ovum, kling klong, kompakt, kill brique, great stuff. he comes up with a smashing floorfiller. its sharetime - time to share the feeling, the music, the beat, the words, the summer, the smile….. neurotron made a huge melodic and deep remix for the hot summertime and andre kronert presents a minimal headbanging dub-version with driving beats and freaky crazy elements

experienced producer tom neville, fresh from his remix of beastie boys >intergalactic<, he tries his hand here at some hands in the air electro, this however is no girly affair, with dirty bass lines and a heavy beat, this tune is an all out club stomper. breaking midway into an awesome old skool, acid throwback, staying true to the originals undeniable danceability, sure to work every listener into a dancing frenzy. known for his thumping mixes, tom neville has well and truly done it again

masters of disaster welcomes the well known artist robert natus, who delivers an awesome 3 tracker for his debut release on this label. these tunes show a different face of him, showing his ability to combine groove and massive sound with soul and deepness without loosing the power he stands for

sounderground records return with their 7th release this time with a little help from the ubiquitous, patrick zigon, who delivers a storming ep. patrick has fast been gaining attention amongst the dancefloor community with numerous outstanding releases and remixes, with no sign of letting up. he has already garnered a big following having remixed for labels such as cocoon, trapez, treibstoff, be as one and kling klong, as well as his own productions on labels such as tanzbar and puzzle traxx, including the awesome >mental draining ep<.

2x 15mins of ultra hypno house!! big with ricardo villalobos, prins thomas, laurent garnier,… unarguably, the best way to prepare umu is inside a hole in the ground. go find a nice flat land, preferably your mother in laws lawn, gather friends, ask them to bring wine. youll need a well amplified turntable playing mania #11 on a loop. cut the grass using a flat shovel, four or six square pieces of 50 cms, lifting the grass with its roots and some soil, move aside. now you have a clean area of about 1.5 mts square, dig in it to a depth of about 50 cms (come on, it will make you sweat profusely but you need this shallow grave to feel the magik of easter islands umu!).

dj play - john digweed, pete tong, eric prydz, henan cattaneo ... guy j makes a most welcome return to bedrock after his debut release with the label last year in the form of the excellent save me / night loss which got rave reviews and top dj support. under pressure is a great follow up and has become a firm favourite with john digweed standing out as one of the highlights of his many wmc sets as well as its inclusion on his most recent transitions 4 cd

ultraphat pumpin & phunkin disco house bomb !! well known vocals from the dancefloor queen

after releases from heavy hitters such as two armadillos, solomun and andomat3000 the mantle now falls to new boy class71 with his double a-side >seaphone/diamond door<. well, it would do if he was really the new boy, but he s not. in fact, this new artist is an alias of italian producer santos, who has pretty much done it all in house, techno and every other genre we could lazily list. rounding things off with a respectful nod to classic techno via moody stabs, lazy melodies and an airtight arrangement in the form of >diamond door<, it seems like class71 is a bit of a name to watch. don t take our word for it though, ame, sasse, djinxx and agnes are already backing this winner.

new material from label boss rob pearson, tech house heavyweight nathan coles (fabric/ wiggle /is this), and yann solo (new era/ 4 kenzo) as well as the first feature on wax of cubisms lunacy sound division (mark gwinnett) who delivers a slick rework of question mark

the skull returns to kindisch with four impeccably sultry and leftfield dancefloor cuts. >must have back< is silky, chicaning mix of ice-cool male vocals and slick, vacuum-packed percussion that will prove devastating to discerning dancefloors, while >lalalala< is a raw, spaced-out house jam that serves up spry, bouncy congas, wobbly bass and clipped hi-hat patterns with no small amount of dubby echo and delay. >forever ever< is a wonderfully trippy slice of minimal techno, a heady bass and percussion workout haunted by the blue, smoky ghosts of jazz keys. be careful - you may well find yourself hypnotized forever ever.the mood is less abstract but no less intense or inviting for deep, reverb-laden closing track >lovesong<. an insistent kick-drum and mind-bending fx make this prime dancefloor material, but the mood of the track is more complex - wistful, pining, mindful of the past, expectant of the future - a lovesong through and through.

the mojuba sublabel welcomes a new artist to the family. tob jona is one half of the unique sounders department project, the guys are well known to the true detroit-techno lovers, way back in the 90’s they delivered some of the finest tracks with that special motown feel. this ep brings us three fresh and very deep tunes each with its own exceptional sound-character! be sure that every one will find his treasure on here, the dancer, the dreamer and the visionary!

the french deep house master, franck roger, continues the string of outstanding releases on his earthrumental series with this double a sided bomb. dont leave me has a deep techy and soulful edge that fans of karizma, ferrer and chandler will undoubtedly fawn over. flashback, on the flip, is another rocking deep instrumental with hypnotic key grooves, trippy effects and that soulful edge that franck does so well. this tune is a must have.

a funky peak hour pair of goodies. doo kicks off the ep with its rubbery bassline, keys, jerky rhythm and sustained strings that provide the male chant, doo doo doo a comfortable bed to bounce on. the meat of the track contains a lengthy piano solo by antonio di mauro driving the point home. full of drops and fills that build the energy then releases it ferociously. anthem is exactly what the title suggests. it is another 2am jump off (musically that is!) jam. the deep bass & dense kick supports the 80s styled chicago jackin snares, the persistent hi hat and intermittent piano strikes meshing well with the watery bleep sounding keys and string stabs. the melody of the bass gets redirected as the twinkling keys create a sense of tension for the samba ish breakdown. nimble fingered, antonio di mauro is at work again, producing a sound reminiscent of patrick adams styled keyboards from his legendary phreek lp. ends cold. supported by: dj spen, deli g, roger sanchez, joey negro, dj pope, kenny carpenter, franck roger, dj yass, master kev, mark stone (udm show), groove assassin, sven love, davidson ospina, dj dealer, timmy vegas, dan (liquid people), deep josh, danny marquez.

following on from their last superb release, which is now totally sold out ! we have two more classic idjut edits from the vaults..... dan tyler & conrad mcdonnell aka the idjut boys have been very busy playing legendary dj sets, releasing mix cds and wonderful 12inch singles and lps for well over a decade. their reputation behind the decks and the studio mixer is second to none, and along with dj harvey, foolish felix and co, are the undisputed grand wizards of the uk disco scene. always versatile and shot through with warm psychedelia and that trademark dubbed out vibe, idjut boys productions always have a unique feel, not to mention serious collectibility !following on from their last superb release, which is now totally sold out ! we have two more classic idjut edits from the vaults..... dan tyler & conrad mcdonnell aka the idjut boys have been very busy playing legendary dj sets, releasing mix cds and wonderful 12inch singles and lps for well over a decade. their reputation behind the decks and the studio mixer is second to none, and along with dj harvey, foolish felix and co, are the undisputed grand wizards of the uk disco scene. always versatile and shot through with warm psychedelia and that trademark dubbed out vibe, idjut boys productions always have a unique feel, not to mention serious collectibility this is a one-off pressing, it wont be repressed and is limited to an initial run when its gone, its gone for good !! tttttttip

hector moralez forms another formidable partnership with jump recordings dj jaz. coming from the west side offers 2 top notch original cuts and kicks off with a bang on a1. drive slow combines smooth female vocals with organic keys to create a deep twisted house groover. summer windy is a peak time affair that uses live sax loops and sleek beats and arrives just in time for the start of those hot summer months. hudd traxx label bosses slum science pick the pace up on the b side with a remix that would fit in well into sets of jocks like inland knights, dj heather, ralph lawson, chris carrier & dj raoul. the slumsters work out tough beats with clever stabs,...

juan rico (aka reeko), owner of mental disorder, mental re-editions, and emphatix records now comes with the fourth release on his other own spanish imprint, evidence records! as we are used from this talent he drops two quality tracks on the a-side. on the b-side a very well known producer delivers some quality work, trolley route aka oscar mulero.

last summer, the berlin-based producer and well-known remixer chris zippel (who already worked with the pet shop boys, robbie williams or ich & ich) already celebrated his very personal interpretation of modern and complex ambient between zwischen triphop beats and melancholic pop references by his genuine horizon album. with this ep, chillout producer zippel has chosen a way quite unusual for him by taking four tracks of the album, making them compatible for the dancefloor with a number of co-producers and proving that dub is still up-to-date in 2008. the ep starts with an interpretaton of electronic spain recordings producer mangelt: again, a straightforward energy flash between reminiscence and modern club sound, takes on the powerful post acid minimalhouse sound a la steve bug. the dane mike salta turns mirror dawn into deep techhouse dub, and also the schwerin-based downtempo producer andre muelle alias vakuum sounds shows that he is influenced by a timelessly valid unterstanding of dub and fragmented s mples by his version of glacier. finally, the tribal progressive house dub of blade remixed by kling klong impresario namito (berlin), undoubtedly the most famous remixer on this ep, goes right into your hips

the deep and powerful track voyager and really gets of on b1 with minimax 1. minimax 2 takes the pace even higher with punchy snare beats and spaced-out effects. every one of these tracks is ideal for the dance-floor and will work well in a party set: just what you need to get the crowd jumping

following the success of last years >nitrogen 2 oxygen 1< ep for siteholder records and the recently released >filthy fibber< ep on uncut, the duo of billy dalessandro and daniel mnookin have teamed up once again under the slutbox moniker to deliver the >backseat driver< ep. switching up the rotation, the ep kicks off with los angeles based producer jason emsleys >lick it, smack it, rub it down remix<, a filthy number that no amount of sludge can adequately describe. a subtle, yet effective rhythm section keeps the dance floor busy while the dirty synth overtones grow larger and larger until they have conquered ones brain synapses. feeding off of the original vocal and adding some x-rated lines of his own, if pornographic techno wasnt a genre before, it is now. the original is pure slutbox at its best. deep bass, seductive rhythm, addictive loops, and a spanish guitar combine to make this one another club killer. as if you had a choice, please make your way to the dance floor - the night has begun. rounding out the vinyl release is st. louis via berlin dj/producer butane (a.k.a. andrew rasse). known for his widely praised work on his own alphahouse label, as well as top techno imprints dumb unit, num, and rrygular, butane has long been a friend of the siteholder crew and takes this opportunity to make his debut on the remix tip. deep, druggy, and hypnotic, butanes >percocet remix< is what one has come to expect from the late night veteran. whether its early evening, time to jack, or after-after hours, the >backseat driver< ep is an all-in-one tech fueled necessity

this soulful banger was originally signed to dj spens code red imprint, but before even seeing the light of day it was snapped up by the original us house label – strictly rhythm. wondrous showcases the killer vocals of the original underground diva susu bobien. the package delivers mixes from atfc & spen under his muthafunkaz guise as well as his original. this is a slice of the most upfront soulful house that any dj who likes his soulful house should not miss out on. smashed all over by heavyweights such as kenny dope, louie vega and todd terry.

the 3rd release by scott grooves on his natural midi label, this is scotts first ever ep and color vinyl release. all 4 tracks possess a different mood and distinct raw edge, which plays well on this well balanced ep.track 1 dark blu speaks for itself, simply stated and deeply enriched. the relentless melody never lets go of the groove and the groove never lets go the melody. everything in this track harmonizes together perfectly.track 2 dna definitely disturbs the peace with vintage analog synth sounds. the old school sounding vocal sample echoes thruout the track that >detroit needs analog records< take a listen and decide if that echoes true!track 3 >it doesnt all have to be techy< as the title suggest there is know >techyness< here, its all about a deeply stormin groove that is enriched with warm melodic keys and a lovely guitar, yes i said guitar that altogether creates a feelin thats organic but not boring. track 4 decimalquivers in and out with a fm gritty synth stab, complete with minimal drums or as scott calls them >drims< which is the term scott uses for minimal drums. also present is a deep pad sound that brews slowly like an eruption. co-produced by panther, a name you will hear more about in the future

supported by alex attias (planet e), italoboyz, karotte, sebo k, raresh, d julz, funk d void. michael melchner is barely at the beginning of his twenties. at the moment deep house of the late nineties has to take a shine to him. in the detail it gets clear, that this is not only a copy of an epoch, but a certain vibe, which is going to be transferred into the present. this vibe with his warm sound, the well dosed house beats and a strong musical sense is hearable, but this sounds by no means antiquated. on a-side several instruments like percussions, xylophone and samples of an mexican trumpet make sure that there isn’t only an exiting variety shortly before or after the primetime, but also a proper portion of itchy feet. with the both tracks on the flip-side the whole spectrum of michael melchner becomes clear, at the one hand a clear view on the dance floor with classical house beats and on the other hand a musical character, which one misses in many current productions. >chen chen< is slightly more co plicated and more rhythmic whilst >nothing happened< is a pleasing leaned back dramaturgical subtle house piece with a distinctive bass line and interspersed voice samples.